![]() Which fits the music on this record really well. Dan Swano has a really beautiful and powerful baritone voice The vocals from Dan Swano are all entirely clean, unlike Edge Of Sanity, and are what make this Heavier moments that are present on this disc. The style in 'The Closing Chronicles' is based in the prog-rock genre, but there are a few Nightingale albums definitely fit more comfortably into the progressive-metal camp easier than this But I wouldn't really describe 'The Closing Chronicles' as a metal album. The music here is a blend of melancholic gothic rock, progressive rock and some small metallic Musician or composer - he is also extremely prolific! Will notice that this album was released in the same year. Fans of the 1996 epic Edge Of Sanity album 'Crimson' Remained my favourite release from the band. This was the first Nightingale album I had the privilege of hearing, and to this day has That's right, in this album the now legendary Dan Swano teamed up with his brother, Dag Swano, toĮxplore their love for gothic-tinged progressive rock in this rather obscure record from the Nightingale's 'The Closing Chronicles' is an album where you get two Swano's for the price of one! Their music is undeniably progressive, showing distinct Yes/Genesis influence but also managing to channel it into a great modern prog sound. They were indeed formed by Swanö with the intention of being a pure prog band, a goal which they complete admirably. The music itself is fairly melodic to metal standards, featuring a great deal of keyboards and almost sounding like a classic 70s prog band with a little extra guitar distortion. Their debut album introduced the "Breathing Shadow" storyline which all of their first four albums dealt with (the storyline came to an end on the first track of 2004's Invisible). ![]() There are no death metal vocals and only mildly heavy guitars to be found in NIGHTINGALE's music, shifting the focus towards their melodies and lyrics. Formed by EDGE OF SANITY frontman Dan Swanö in 1995, NIGHTINGALE plays a style far removed from what the world has come to expect from Swanö.
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